Alongside popular modern-day indie-folk artists such as Adrianne Lenker, Hozier, and Ethel Cain, Searows has risen to fame with hits such as “House Song” and “Keep The Rain.” Most of his albums feature a softer, mellow sound and keep audiences drawn in with solemn chords and crushing lyrics; his newest album, “Death in the Business of Whaling,” is no different.

For many, this album is one of the most anticipated of the year within the indie-folk scene, and it definitely lives up to that. Every track on this album is extensive in its storytelling and shows a depth to Searows that many haven’t seen before. It keeps listeners drawn in and focused on the picture being painted within themselves. The album makes you want more, and it compels you to listen further and try to get more of the story. The album also evokes many a mixture of emotions, from empathy to deep sadness. It’s truly a beautiful and compelling album with many different layers to unfurl within each track.

This album is also significantly different from some of Searows previous works, with this album having a more intense buildup within the tracks. A lot of Searows’ music has a faster pace, with some songs within the others being slower. Although this album has purely slower melodies, with a few heavier set songs mixed in the bunch.

This album is also very different from those of many other indie artists, such as Ethel Cain. Cain incorporates big sounds in her music, while Searows keeps things somber in his music. With most folk music being a completely different sound compared to today, Searows sticks out from the bunch and has continued to captivate his audiences with his incredible music and lyricism.